Frazer Bradshaw makes films, both as a director and as a cinematographer. Frazer attended a fine arts high school, where he got an early foundation in the traditional visual arts. Not until his fifth year of art school did he first begin working in film. As a director, Frazer is driven by the art/content side of filmmaking and by the medium's capacity to communicate the complex and the profound. Frazer's first directorial feature, Everything Strange and New, premiered at the Sundance Film Festival in 2009, and went on to win an International Film Critics Prize, and the Cinevision Award in Munich. It was also nominated for two Gotham Awards and an Independent Spirit Award. Everything Strange and New played theatrically in major markets and is in distribution through IndiePix. He has also made a number of short works, most notably, Every Day Here, which played Sundance in 2000 and Could Have Been Utah and The Rest of the World, which screened at the New York Film Festival in 2001 and 2003, respectively. As a Cinematographer, Frazer is driven by the art and craft of creating visual images that serve the director's vision and the film, overall. He has shot 13 narrative features and nearly as many documentary features, including Jamie Meltzer's Informant (2013) and work on the Focus Features release Babies (2010), as well as too many short subjects to count, and a plethora of commercial projects.